Publications

Insight and Blindness in the Reception of Ševčenko: The Case of Kostomarov

George G. Grabowicz

Harvard Ukrainian Studies, Vol. 17, No. 3/4 (December 1993), pp. 279-340

In the broad and formal sense, the reception of Ševčenko began with the reviews in the Russian press of his first slim volume of poetry, the Kobzar of 1840. While at times positive (and once or twice even enthusiastic), their basic imperial perspective allowed them to see only an instance of ... Continue reading

Ukrainian-Russian Literary Relations in the Nineteenth Century: A Formulation of the Problem

George G. Grabowicz

Ukraine and Russia in Their Historic Encounter, Edited by Peter J. Potichnyj, Marc Raeff, Jaroslav Pelenski, Gleb N. Žekulin, Canadian Institute of Ukrainian Studies Press, University of Alberta, Edmonton, 1992, pp. 214-244.

Since my avowed concern is with formulations, I should state at the outset that from my perspective the relation between Ukraine and Russia is not that of an “encounter,” even a “historical encounter,” but something much more intimate and long-lasting–in the language of soviet pathos, a historical and indissoluble embrace ... Continue reading

Pavlo Tychyna (1891-1967)

Dr. George G. Grabowicz

European Writers, The Twentieth Century, Vol. 10, pages 1651 - 1676. Charles Scribner's Sons, New York. 1990.

“The measure of Pavlo Tychyna’s preeminence in the history of twentieth-century Ukrainian literature is perhaps best conveyed by the fact that he is considered the outstanding poet of his time, and arguably of this century, by both Soviet and non-Soviet readers and critics. Apart from this point of convergence, however, ... Continue reading

Tyčyna’s “Černihiv”

Geroge G. Grabowicz

Harvard Ukrainian Studies, Vol. 1, No. 1 (March 1977), pp. 79-113 Published by: Harvard Ukrainian Research Institute

“After “Zamist’ sonetiv ioktav”, “Cernihiv” is Tycyna’s most heavily censored collection of poetry. The former, since its first appearance in a separate edition in 1920, and, subsequently, in the “collection of collections,” Zolotyj homin (1922), has not been reprinted even in part, and only recently have excerpts from it been ... Continue reading